Camera capers: Inside the stunning Bundestag Dome in #Berlin

I had pre-booked our visit to the famous new dome built over the Bundestag in Berlin. Designed by Norman Foster, this was my must-see in the city from an architectural perspective and I had been warned about the need to pre-book and be there on time by fellow travel enthusiasts. And so, on the morning of our appointment, my travel anxiety kicked in full swing. I was impatient with the kids and Rahul, urging them to get ready fast and walk fast. We reached late and had some difficulties finding the right entrance to the building. For a while, I really thought we had missed our slot. I was a dour and unlikable person until we actually stepped into the premises of the Bundestag (also known as the Reichstag), when I finally permitted myself to breathe easy and smile!

This is where the German Parliament works from, the seat of power and a powerful symbol of democracy for a nation that has seen a tumultuous recent past. Moreover, the building burnt down during the Nazi regime (1933, blamed on Communists despite little evidence) and the open space around has been the site of many protests and political gatherings. Truly a witness to Berlin’s ups and downs, the new dome designed by Foster is perceived as a symbol of unified Germany, one that has given the building a fresh lease of life and a sense of joy and purpose.

I was very excited to be here, and once I was in, it was my relationship with my camera that took over, as Rahul and the kids faded slowly out for me (they were busy with their own audio guides, which were so excellent that even the kids could independently explore the dome for over an hour!). So many aspects of this magnificent glass dome are fascinating- the way it channels light into the Parliament hall below, the double helix ramps that take you to the top, the opening at the top that let the refreshing summer air in along with some raindrops when we were up there, the clarity of the glass that offers the most fantastic view of Berlin….I could go on and on, but I’ll let the pictures tell you more!

 

On our way...The Dome is somewhere behind there, the angle doesn't offer that view

On our way…The Dome is somewhere behind there, the angle doesn’t offer that view

The clouds above made for a dramatic view of the large grounds in front of the Bundestag

The clouds above made for a dramatic view of the large grounds in front of the Bundestag

Inside the Dome. Seriously, an architectural photographer's dream come true!

Inside the Dome. Seriously, an architectural photographer’s dream come true!

From the ramp looking at the hall below where an exhibition of photographs contextualised the building we were in

From the ramp looking at the hall below where an exhibition of photographs contextualized the building we were in

The fantastic funicular that has a set of mirrors to channel natural light into the Parliament hall below and the screen that can move around the dome to block out light that is not required

The fantastic funicular that has a set of mirrors to channel natural light into the Parliament hall below and the screen that can move around the dome to block out light that is not required

Fun with the mirrors! Spot me :)

Fun with the mirrors! Spot me :)

More fun with reflections!

More fun with reflections!

Another fun angle!

Another fun angle! The views outside were stunning too

As sen through the glass with the droplets of rain on it, Berlin looked ethereal

As seen through the glass with the droplets of rain on it, Berlin looked ethereal and even unreal

Right at the top

Right at the top

The effect of the glass dome on the kids was interesting. They were enchanted and engrossed in the audio guide, which was simple and easy to follow, with interesting tidbits but not too much chatter!

Moments for contemplation: The effect of the glass dome on the kids was interesting. They were enchanted and engrossed in the audio guide, which was simple and easy to follow, with interesting tidbits but not too much chatter!

The Dome in its entirety as seen from the terrace ouside. We walked out into sunshine and a rain drenched bright sky!

The Dome in its entirety as seen from the terrace outside. We walked out into sunshine and a rain drenched bright sky!

The kids grabbing the sunshine and a bite to eat

The kids grabbing the sunshine and a bite to eat

Look at the architectural variety Berlin has to offer!

Look at the architectural variety Berlin has to offer!

 

I was pretty satiated when I bid my adieu to the Dome

I was pretty satiated when I bid my adieu to the Dome

We joined the throng of happy tourists outside!

We joined the throng of happy tourists outside!

Last peak as we carried on to another destination, another experience in this beautiful city

Last peak as we carried on to another destination, another experience in this beautiful city

Ajjee, family rockstar: Nearly 100 and indomitable still!

We’ve never seen her sit still. We grew up eating home made sheviyo (fine noodles cooked in multiple ways) and paapad (typical to Indian food, hard to explain but is spicy, made of pulses and eaten as an accompaniment with meals) made by her. We helped her make vaatiyo (baatis or wicker sticks for lamps) from raw cotton. And we swaddled babies and ourselves in godadiyo (quilts) hand stitched by her. Ajjee, my father’s mother, my beautiful grandmother, has been a constant in the lives of all her children and grandchildren and many many more of us.

Made usually of leftover pieces of cloth, Ajjee builds intricate patterns and designs, often a peacock or a cat for kids or a pattern of geometric flowers for older people or even a simple quilt made out of an old sari put together by a complex and even running stitch. Her talent and industry has been the stuff of legends. It wasn’t just family, she would make these precious quilts for anyone who came in to appreciate, ask for help and even those who made a simple, honest request (it’s getting tough for her now to be equally productive, but not for want of trying!).

This morning, the family proudly read her name mentioned in an interview in The Hindu with Patrick J Finn, who has just finished a book on quilt-making in India and I simply had to write this tribute to the most inspirational person in our family. Our very own rockstar- Hirabai Naik! Ajjee for some, Maee Ajjee for others, Ayee for many, a symbol of grit and determination, a beacon of kindness and love and hope. A person who rises above us despite all her human failings.

_DSC1797Always built small, Ajjee has become frailer with time but her spirit is indomitable. Today, even as she complains of feeling fatigue, her mind is still working on the latest designs. Beyond quilting, she is a master of re-use, making hundred of cloth shopping bags and gifting them to everyone. She doesn’t actively advocate their use, simply because she belongs to the generation that never made the switch to the plastic shopping bag! She just assumes everyone still carries their own cloth bags with them and I think it is remarkable that within her lifetime we have moved so far away from cloth bags and are now firmly marching back towards them, aided by supermarkets that charge us extra for carry bags in a bid to encourage some environmental sensitivity.

Last year, in Goa, when we visited for Ganesh Chaturthi

Last year, in Goa, when we visited for Ganesh Chaturthi

In small but fantastic examples like this, I increasingly see reasons for Indians to look back at the small things we are losing- skills, recipes, habits and ideas that make for a healthier, more responsible lifestyle that puts community and family first, but is also is eager to learn from others. To me, that (not religion, not ritual, not caste or creed, nor regional identity) is the essence of an Indian culture and I always look at Ajjee with amazement for all these values she taught me, without ever preaching but entirely by example!

Do we indulge in wishful thinking for super dense cities?

The thought popped out at me as I read an interview of Jonathan Solomon, who has authored (along with fellow architects Clara Wong and Adam Frampton) what appears to be a fascinating book called Cities Without Ground on alternate networks and spaces in Hong Kong. In the interview, Solomon talks about how the impracticality of trying to impose solutions in other contexts. He says, “Paul Zimmerman (HK district councillor and urban design activist) and I disagree vehemently about this — his position is that all the footbridges are more or less bad and that Hong Kong should act more like a Dutch city. We need to make safer, healthier streets for pedestrians. Pedestrianizing Queen’s Road makes a lot of sense. But there’s a lot of wishful thinking involved thinking that Hong Kong will suddenly turn into Linden or Delft.”

To me, that sort of summed up a lot of how urban designers and planners function. Delhi, where most of my work is based, is also unique in the layers of history and social complexity. While we admire experiments in other cities globally, we find it challenging to replicate best practices in the context of Delhi because of its unique structure and settlement typologies. Furthermore, the urban poor in Delhi have incrementally built highly dense settlements that require context specific solutions to enhance quality of life. To offer those, we need to deeply understand how this density works or doesn’t, it’s networks, how spaces inter-relate and a whole lot more. To assume that Delhi must become a Shanghai or a Singapore, or even Curitiba or Medellin is obviously naive.

I am piqued by the graphic approach Solomon’s book takes. Could we use advanced graphics software and innovative observation to first understand and then re-imagine Delhi’s dense informal spaces?

Father’s Day creations from my enthusiastic children

There is nothing more than an early morning creative outburst. To create this surprise for Rahul papa, behind his back while he was at the gym, we slit apart old used A4 size envelopes, glued them together to create this long strip and then the kids just unleashed their creative juices on them. Dadi (their grandmum) offered them discarded kajal (kohl sticks), lipsticks etc and we used acrylic paints, crayons, toothbrushes, etc.

Aadyaa chose to recreate the mountains we recently holidayed in, while Udai drew a fleet of spacecrafts! Mummy and mausi chipped in here and there. We cut out the words from old discarded brochures. The entire process took us a couple of hours.

When Rahul walked in sometime later, the kids were shouting out ‘Happy Fathers Day’ atop their voices. The house rang with yells and laughter, smiles aplenty and lots of cheer. We breakfasted on a dish of yesterday’s chapati reinvented with garlic, onion and tomato seasoning and another experimental smoothie made with curd, milk, watermelon, beet root, red bell pepper,carrot, apricot and cucumber. A morning of creative reuse and family fun, with good old Furby joining in! Feeling really satisfied!
20130616-123318.jpg

20130616-123543.jpg

20130616-123257.jpg

20130616-123516.jpg

20130616-123552.jpg

20130616-123235.jpg

20130616-123414.jpg

20130616-123430.jpg

20130616-123336.jpg

20130616-124812.jpg

Decision Making for Education

ramblinginthecity:

This is an interesting post for architects and designers. How much do we really understand of the activities and the philosophy behind the spaces we are called in to design. And does a really involved design process mean the modern design practice (numbers, large projects) needs to be rethought drastically? Also what’s the role of partnerships, how do we learn from a variety of experts and non-experts?

Originally posted on Markparkinson's Blog:

Here’s an interesting and very telling story from the Guardian newspaper, UK:

Guardian newspaper – School Design

The gist is that civil servants and politicians, sitting in their ivory towers will dictate to schools and local schools’ management boards about how schools are to be built. This includes what features they will/ won’t have etc. In India, ironically, so far, this has been a much healthier state of affairs. Government sets down (and occasionally enforces) minimum standards about such things as square footage space per student, rooms available and numbers of toilets etc. of course, there’s still a further irony that whilst these rules are imposed on private schools there are vast areas of the country where the government’s own schools in the public sector don’t comply with the rules.

Reading this news story I was troubled by the underlying message that government wasn’t interested in views based upon the…

View original 299 more words

Busy streets, quiet insides: Peeking into chawl life in Parel, Mumbai

Obviously, I didn’t do much thinking about the architecture of Parel and other parts of central Bombay when I grew up there. Bombay of the ’80s had a distinct flavor about it. I remember it as very working class. The mills were still functional and I have memories of visiting people in the chawls that the mill workers lived in. Now, you drive through a city of dead, decaying mills and tall glitzy (mostly ugly too!) skyscrapers. But what I absolutely love about this part of the city is the street front mixed-use architecture. It epitomizes all the good stuff we keep elucidating about mixed-use. Because the ground floor has street-facing retail shops, pavements must be in good order and there are always people around and about.

Mixed use main road in Parel, built in the European tradition

Mixed use main road in Parel, built in the European tradition

Built concurrent with the industrial age in Europe, iron was widely used as a structural material to build these chawls and mainstreet mixed-use structures

Built concurrent with the industrial age in Europe, iron was widely used as a structural material to build these chawls and mainstreet mixed-use structures

Intricate details!

Intricate details!

Parel was one of the original islands of Mumbai and came up as a business and industrial district starting the late 18th century all the way upto the beginning of the 20th century. The mills prospered and chawls were built by both the government and the mill owners to accommodate the men and women who worked in these mills. The chawl typology meant sharing a common entry passage as well as street areas and life was lived as much on the street as inside the home, which was usually overcrowded and dingy.

To put some figures in, in 1865 there 10 mills in Mumbai employing 6500 workers. At the peak of the textile boom in 1980, the mills employed near on 300,000 workers. And then they shut down in 1982 after the Great Bombay Textile Strike.

The residential areas are entered through a street that branches off the main roads creating small self-contained residential enclaves. Similar to the katras of Delhi and the pols of Amdavad, you step inside a world of quaint silence and domesticity, a world in which people know each other and your foreign footsteps break the comfortable humdrum of lives.

I got curious stares when I entered Krishnanagar in Parel. It’s beautiful gates beckoned me in. At the entrance, I saw a group of men sitting and reading papers, their red tikas displayed proudly as caste marks, denoting that this as a Hindu neighborhood. There is a temple inside the enclosure, people seem to know each other. Old ladies sat out on the common verandah talking, stitching, some people were getting ready to go to work, a young man was brushing his teeth while staring down at me, a young housewife in her trademark cotton printed nightie was walking her dog…It was a bustling middle class neighborhood with homes that proudly displayed plants, pictures, ornamentation of all types.

Life inside Krishnanagar had the humdrum pace that was familiar from my childhood in these parts, even though I never lived in a chawl like this

Life inside Krishnanagar had the humdrum pace that was familiar from my childhood in these parts, even though I never lived in a chawl like this

Another shot! Just because I wanted to think about how this might have been a long time ago!

Another shot! Just because I wanted to think about how this might have been a long time ago!

The entrance: Shot from inside Krishnanagar

The entrance: Shot from inside Krishnanagar

Pride in their home is something I distinctly remember. Manda mavshi who looked after me when I was a child had relatives who were mill workers. Their homes were always pretty, clean and organized

Pride in their home is something I distinctly remember. Manda mavshi who looked after me when I was a child had relatives who were mill workers. Their homes were always pretty, clean and organized

The gleaming two-wheelers in front of that stunning entry arch made a statement

The gleaming two-wheelers in front of that stunning entry arch made a statement

One gentleman stopped me to ask why I was taking pictures. He was reassured by my reasonably fluent Marathi and accepted my explanation that I had lived nearby as a child and was revisiting the neighborhood out of sheer nostalgia. His attitude was not threatening, but clearly voyeurism wasn’t going to be tolerated here!

Uncharacteristically, I decided to enter the little temple and pay my respects to the Gods within. Perhaps that’s what helped me make it to my flight later that day, despite many obstacles, just in the nick of time!

Thinking urbanism: An evening at the BMW Guggenheim Mumbai Lab

To be in this part of Mumbai, the part that I remember rather well from my childhood, is sheer pleasure. After many many years, I visited Rani Bagh. Queen’s Gardens, later named Jijamata Udyan, is where the Mumbai Zoo is housed and we used to be enormously excited to go there as children, especially when the cousins descended from Goa and we had a rollicking time!

On Monday evening, I had the occasion to visit Rani Bagh again because the BMW Guggenheim Mumbai Lab is running at the Bhau Daji Lad Museum, the erstwhile Victoria and Albert Museum, which is located here. The Museum has been beautifully restored through a PPP between the municipal corporation, INTACH and the Jamnalal Bajaj Foundation. It is a UNESCO heritage site as well, pretty impressive. Regular people like hotel receptionists and shop owners at the other end of the block have no idea though!

The Bhau Daji Lad Museum inside the premises of Rani Bagh in Mumbai. A UNESCO listed heritage site.

The Bhau Daji Lad Museum inside the premises of Rani Bagh in Mumbai. A UNESCO listed heritage site.

The tower at Rani Bagh that you can see from the road when you pass by. A certain memory from my childhood in Mumbai

The tower at Rani Bagh that you can see from the road when you pass by. A certain memory from my childhood in Mumbai

The BMW Guggenheim Lab is an attempt to understand urbanism and debate issues around it in a specific city. I walked into a well-designed, attractive temporary exhibition-cum-interaction space that housed some thought-provoking exhibits and also had a series of presentations being made.

The exhibition space was set up at the back of the museum building and was beautifully designed and executed

The exhibition space was set up at the back of the museum building and was beautifully designed and executed

This exhibit re-imagined an unused space in the city where massive pipelines currently exist and would become defunct in the near future. Interesting.

This exhibit re-imagined an unused space in the city where massive pipelines currently exist and would become defunct in the near future. Interesting.

IMG_2218

A close up view of the model

Side view. The sides of the exhibit were used to showcase books on urbanism and urban issues

Side view. The sides of the exhibit were used to showcase books on urbanism and urban issues

Another exhibit mapped the city of Mumbai by density and revealed just how dense the city is, especially its slums. For me, this defied the mth that high rise is the best way to accomodate more people

Another exhibit mapped the city of Mumbai by density and revealed just how dense the city is, especially its slums. For me, this defied the myth that high rise is the best way to accommodate more people

True to the spirit of the initiative, the discussions touched on issues like open spaces, sanitation and water resources that impact the lives of people in a city. I was happy to hear that all the speakers, to lesser or greater degree, advocated community-based approaches to address urban issues and spoke about the immense knowledge that comes from non-experts.

This is reassuring for us at mHS at a time when we are piloting technical assistance kiosks in communities where self-construction is the way people build their homes and where professional assistance is considered not just a luxury, but frankly, unnecessary. Clearly, while safety must not be compromised, it is important to understand why professional assistance is redundant and learn from the positive innovations that self-built homes exhibit. For a city like Mumbai that has attracted migrants for centuries and is very diverse, bottom-up approached to urban design are imperative and could produce stunning results.

The BMW Guggenheim Mumbai Lab kick-started on the 4th and seems a great way to help people connect with their city and think about urban issues. However, it seemed to me that the exhibit was a bit tucked away from public view and was attracting a niche crowd. I sincerely hope they have walk-ins from a cross section of citizens so that the information gathered through it (done via simple questionnaires that people fill, public walks and talks) is rich and diverse.

At this point in time, when India is getting ready to riding a speedy wave of urbanization, such interactive processes that involve citizens with urban issues could be considered in many cities, as much to inform professionals and governments as to inculcate awareness and a sense of pride among citizens. Broad-based platforms of interaction, data gathering via crowdsourcing and public debate can be excellent tools by which the shape of the future could be molded to achieve inclusion and better quality of life.

As I walked out of the Lab, I spotted my friend Asim’s name on a placard, only to find myself staring at his gigantic work of art Punha through a glass door! Spent a few minutes walking around this installation, hearing it sounds, feelings its moans and groans. Icing on the cake!

Asim Waqif's work 'Punha' caught me by surprise as I walked out of the Lab

Asim Waqif’s work ‘Punha’ caught me by surprise as I walked out of the Lab

 

Is ‘Cities for People’ the new mantra? Takeaways from the ‘100 Urban Trends’ report

“Urban thinking, whether related to architecture or urbanism, has become dramatically less focused on infrastructure, and more on the ultimate goal and reason for the existence of cities — that is, the well-being of the people that inhabit them and constitute their very soul and essence.” I am quoting from the ‘100 Urban Trends’ report brought out by the BMW Guggenheim Labs after a 33-day series of free workshops and citizen consultations in Berlin. This glossary of terms is an attempt to document the “temperature” of a specifc time and place, Berlin in the summer of 2012 and it is interesting to note how some things havent changed and at all and yet, how citizens and urban professionals alike are moving towards a more human, more experiential understanding of what a city is. So much for those bizarre robotic urban imaginations depicted in sci-fi movies. Cities for people are here to stay!

I find it heartening that this sort of people-centric thinking is gaining prominence and read it as a sign that there will be a growing movement towards changing the bureaucratic and technocratic mindset to a more interdisciplinary one. Here are some of the concepts I found really reassuring and exciting:

The idea of community life and accessible and well designed urban commons (better known as public spaces) is now well understood and established. There seems to be concern that urban environments are reducing the number of connections we make and a recognition of a need for city design to help us maximize human connections.

The role of citizens and non-designers/non-experts in how a city evolves- terms like ‘activist citizen’ and ‘bottom-up engagement’ are turning traditional thinking about urban planning and design on its head. Collaboration, crowd-funding, digital democracy, self-solving, place-making are some of the related terms that give an insight into the muria ways citizens can influence their urban environment. The citizen is no longer being viewed as a passive player at the mercy of policy and regulation, but as a powerful force of change.

Sustainability as a growing concern is reflected strongly and is intertwined with the ideal of a healthy city. This in turn includes ideas like the need for experimentation, walkability and cycling as a means to get around, a concern for food security and the links between urban and rural, mixed-use over the typical use-wise classification of spaces, intelligent buildings and smart cities, the reduce-reuse-recycle adage, the need to promote the share culture, the idea of upcycling (increase the value while reusing) rather than merely recycling,…many innovative trends can clearly be seen in this area. To me, these moves towards sustainable living combimed with bottom-up efforts can really be a potent combination for positive changes to happen. However, all of this will hinge on the ability to create awareness, dialogue, debate and a deeper and wider understanding of the issues among non-designer, non-expert citizens.I found it interesting that the report acknowledges the sheer complexity of urban form, and how the megacity is changing our notions of the centre-suburb model. This is a significant shift that will influence lives and the practice of city design considerably.

The idea of “Minimum Variation, Maximum Impact” in which small changes can be made to move towards more “sustainable and socially responsible cities” seems like a good way to do things.

The powerful concept of ‘cities as idea generators’ was in here too, and it is vital for cities to leverage their innovation power in order to grow economically and to survive in an ecological sense as well.

The idea of technology as a driver of change came across strongly, as a means to interact and have dialogue, as a means to deliver services, as a means to collaborate, design, a whole bunch of functions in fact.

[On another note, Disneyfication was a term I loved here. Its something I’ve always thought about and never realized it was an actual term! It refers to “a process of urban transformation that increases homogeneity and simulated reality rather than the preservation of historical elements and cultural difference.”. Poor Walt! I’m sure this wasn’t his intention….]

What does this report mean for another city, another time, another context?  I work in India, in the Delhi-NCR area, which happens to be one of the fastest growing urban agglomerations in the world! I certainly see many of these trends relevant for my city. As an urban practitioner, the 100 Trends outlined here help me think through and prioritize issues even as I often gasp with the sheer complexity of what we do as urban problem-solvers! Most importantly, some of the terms here helped me find specific ways to move to a more people-centric, people-driven agenda for city development, and that’s a big reward.

An afternoon of art and nostalgia @ Mandi House, New Delhi

Stolen moments of pleasure are always special. But often times, when you suddenly find yourself at a loose end with time on your hands, when a meeting gets over too soon for example, it’s hard to figure out what to do. I rack my brains to think of all the stuff I always want to do but never seem to have time for, and nothing comes to mind.

The walk from SPA’s archi block to planning block never looked so good in our days….some things do change for the better!

Well, today the cylinders inside my brain fired up at the right time when I realized I was done early at college and my car wouldn’t pick me up for another hour at least. I walked briskly to the other side of the road and caught the first auto to Mandi House. This was a nostalgia trip for sure, for Mandi House was where we went whenever we had a free afternoon, back in the days when we studied architecture in SPA. A sort of culture hub, we were always sure to be able to see a few art exhibitions and would end up catching a play or music performance at one of the 5 or so auditoriums there.

This afternoon, I headed first for the Triveni Kala Sangam. This was always our favorite among the Mandi House venues because it is a Joseph Allen Stein building, beautiful, always serene and quiet. As usual, most galleries were open and walking through the art, both paintings and sculpture, was pleasurable indeed. ‘Polemics of a Soul Catcher’, an exhibition of very large paintings, oil on canvas, by Satish Sharma offered a commentary of the place of modern man, his moral dilemmas, his new increasingly urban environment..thought provoking. A group art show in the open air court offered a variety of techniques and themes and the sculpture court was also full of interesting works.

Triveni has been a magnet for art lovers for years. Now of course, many modern art galleries have opened up in South Delhi and suburban areas too, and the importance of Mandi House has diminished somewhat.

You can’t not be in love with Stein’s architecture

Lallan Singh’s work filled the sculpture garden at the Triveni Kala Sangam. This was one of those endearing spaces where we spent some afternoons sitting around and sketching the exhibited work.

I had but a short time left, but I still tried to dash across to the Lalit Kala Akademi building, where again I know there always is something worth looking at.This ws quite a job with all the construction happening in this area. Thankfully, there were marshalls who were actually stopping cars so pedestrians could cross! I don’t come here often, but since I was a pedestrian today I noticed just how much the vehicular traffic has increased by in Lutyen’s Delhi. It completely destroys the charm, the constant whirring of cars with impatient drivers who don’t really want to wait for the pedestrians to cross! And this is the only walkable part of the city!

This is what the lovely patch of green at the cnter of Mandi House circle looks like now! To think that we spent many hours of one memorable night sitting in that patch of green on our group date as fresh hostelers in 1994! Hope this gets fixed soon…

Rabindra Bhawan’s memorable arches

I had only about fifteen minutes at Lalit Kala Akademi. The building, Rabindra Bhawan, hosts important cultural institutions for literature, fine arts and performing arts and is an iconic building designed by Habib Rehman, one of many public buildings he designed in the ’50s and ’60s. The art gallery here has been renovated and I was entering the renovated space for the first time. Rather nice and uncluttered. The exhibition, and I cannot remember the name of the show or the artists, was an exploration of abstraction using new media. I quite liked some of the works, especially those depicting nature and human form.

An hour or so well spent, in my own company, soaking in art, the city and its spaces….

Fun at the Dastkar Nature Bazar at Kissan Haat, Andheria Mod, Delhi- Oct 29, 2012

We visited the Dastkar Nature Bazar on Saturday. It’s been my favorite place for pre-Diwali shopping in Delhi, followed by the Blind School mela. Blind School’s advantage always has been its fixed location. You know where to go and what to expect each year. Dastkar, on the other hand, keeps moving around and it’s not always convenient to get to. We skipped last year because I couldn’t get to Pragati Maidan.

This time though, the exhibition has moved to the Kissan Haat in Andheria Mod, near Chhatarpur Metro Station. Therefore, on Saturday morning, six of us, all women and all geared up to shop, hopped on at Huda City Centre to troop to the Dastkar Nature Bazar.

It didn’t disappoint. In fact, I thought this was a nice home for the exhibition and was delighted when someone mentioned that Dastkar had signed a 15 year lease for this space. I see no official announcement or press item to this effect though. I looked up to research what the Kissan Haat was originally built for. I always thought there was a mandi here, or some sort of direct selling farm produce type of establishment was going to be set up here. Whenever I drove by, I saw the signs and looked forward to such an announcement. Fresh produce markets would do so well in South Delhi!

But today, I found online that the government had failed to start this and finally decided, sometime during the Commonwealth Games preparation, to set this up as another Dilli Haat, replete with food stalls and crafts outlets. I suppose that is what they achieve by handing the space over to Dastkar. I don’t know what Dastkar plans. I heard there will be 4 exhibitions a year instead of an annual one.

For those of you who haven’t yet gone, do go! If not to buy, to just see. If you love handmade, hand crafted, hand loom; if you love original work and design; if you value authenticity; you will be happy here. Plus you have the satisfaction of buying directly from craftspeople of from organizations that work directly with them. I interacted with founder Laila Tyabji last year at the India Urban Conference at Mysore and was impressed with the depth of her knowledge of crafts-based livelihoods and her advise to urban practitioners on how to design and plan for such communities and how to integrate them into the economy. Here’s a link to a post wrote about her when she got the Padma Shri.

It’s on till November 9th. For pics etc, do check out the Dastkar Facebook page. Happy shopping!