Author Archives: ramblinginthecity

Oped: Gurgaon Must Resist the Communal Narrative for the Sake of Its Economy

Diversity has been the bedrock of Gurgaon’s economic success, and the incendiary atmosphere created by those who are trying to disrupt namaz will prove to be detrimental to its growth.

Originally carried by The Wire, please read here

While the newly-formed Sanyukt Hindu Sangharsh Samiti’s attempts to violently disrupt and diminish congregational Friday namaz in Gurgaon may be temporarily on hold for Ramzan, khaap and religious leaders across faiths from Gurgaon’s villages have sent out a clear message that they will resist those disrupting harmony in the city.

Through a press conference on May 15 in which they announced a multi-faith mahapanchayat on the 27th of the month, they made the pitch that religious divisions have no place in a modern city that attracts investors, entrepreneurs and workers from India and abroad, and where citizens have found ways to co-exist peacefully.

Certainly, Gurgaon’s ability to embrace a diverse range of residents plays a big part in making it an economic success and the global brand it is today. Gurgaon has grown exponentially since 2000. Its current estimated population of over 8.7 lakh (as per Census 2011) comprises local villagers, high-skilled migrants working in its globally competitive corporate sector and low-skilled rural migrants who work in the informal services sector, the latter severely undercounted in official estimates.

It bears repeating that Gurgaon’s development model was driven by land consolidation and development by private developers, with public infrastructure and planning playing catch-up. This has resulted in a highly-segregated city of elite gated communities built on erstwhile agricultural lands, while the village settlements have adapted and transformed to provide affordable housing, and space for low-end manufacturing and back-end service functions.

In this scenario, the villagers’ call for harmony and tolerance is significantly motivated by the interdependence between them, in their avatar as landlords, and the migrant renters. In the rapid transition of this landscape from rural to urban, villagers have played a key role, one that goes largely unacknowledged.

In the words of Mahinder Yadav, who I interviewed in Nathupur village adjacent to DLF Cybercity as part of my field research in 2013, “Pehle kheti thi, phir hamaari jameen biki aur ye tower ban gaye. Phir kirayedaar aaye. Ab inse hi hamaara gujara hai (First we were farmers, then we sold them and these buildings came up. Then the renters came. Now we make our living mainly from them).”

Clearly, the incendiary atmosphere created by those who are trying to disrupt namaz in the city is detrimental to the core business of rental housing and other services targeted towards migrants that economically sustains these village communities today. If the city’s communal climate were to chase migrants away, this would directly and significantly impact incomes of the village communities in Gurgaon.

Of course, landlord-tenant relations in villages are characterised by an unequal power dynamic. While migrant renters see the landlord (makaan maalik) as both exploitative and benevolent, enforcing restrictions while also offering certain forms of protection, the landlord sees the renter (kirayedaar) as good (read submissive), but in need of management and control. In this scenario of ‘care and control’, landlords have generally been tolerant of migrants’ religious and cultural practices. I have found Nepali Dussehras and Bihari Chhat poojas being celebrated in some villages and, in the same vein spaces for Jumma namaz have always been peacefully negotiated.

As needs grew, those seeking space for namaz – residents of the city as well as commuters from Delhi and beyond – have worked with local communities, private land and building owners and local police stations to find open grounds, parks, strips of pavement and green belts to pray each Friday. Every now and then, these places move to prevent traffic congestions or if the namaz clashes with another use. Considering that Muslims offering the Jumma namaz in the city’s open spaces has been a familiar sight for nearly a decade, it is perhaps worth questioning why, all of a sudden, they are ruffling feathers now.

Moreover, several commentators have already made the point about there being no opposition to the same spaces being used by other (non-Muslim) groups for congregational activities.

Much of the ire of the namaz disruptors seems to be directed against the Muslim migrants from West Bengal, with tropes like Bangladeshi and Rohingya being used to target them. This is doubly unfortunate because these people are generally documented migrants – it is near impossible to work in the city today without identity papers – at the lowest rung of the ladder, discriminated by language and concentrated in the most menial jobs: women in domestic help, and men in housekeeping, waste collection and cycle rickshaw driving.

In the affluent homes across Gurgaon where these Bengali women work, there is a stunned silence on the namaz issue as households struggle to reconcile the myriad bigoted anti-Muslim tropes – Bangladeshi, Rohingya, terrorists, perpetrators of ‘love jihad– being bandied about with their dependence on this large pool of affordable labour for cleaning, cooking and childcare work.

Gurgaon’s attraction has been its miraculous construction as a mosaic of communities including migrants of many hues – language, religion, class, region and nationality – despite its spatial segregation. This precious diversity, created through negotiation and inter-dependence, is the bedrock of its economic success. The village leaders have instinctively recognised this and taken a stand against the disruptive forces that seek to communalise the city and squander away its key competitive advantage. Gurgaon’s affluent residents must join them.

Mukta Naik is Senior Researcher, Centre for Policy Research, New Delhi. She works on issues related to migration, urbanisation and housing.

Advertisements

How many ways are there to hate women in India? Of Incel, rape culture and a point of no return

Incel. I hadn’t heard the word before it began doing the rounds of the media in context of the van that ran amok in Toronto killing 10 and injuring 13 people, many women. There is a real possibility that the women who died did not just happen to be there. This could be a misogynistic act by someone who identified with Incels- Involuntary Celibates, by someone who hated women as a result of facing sexual rejection from them. This horrifies me! Just how many types of misogyny are women at the receiving end of?

We have plenty of the Incel-types in India too. Women are commonly victims of acid attacks, gang rapes, molestation and even murder because they rejected a man who was pursuing her. Many times there might have been no promises made at all, but rather the man is provoked by feelings of jealousy, possessiveness and inadequacy that may or may not have anything to do with the words or actions of the women who are objects of their desire-turned-ire.

And then there is the misogyny that comes with feeling threatened, or the fear of being threatened in the future. I call this the fear of equality. Those thousands of misogynistic jokes floating around the Internet that characterize women as nags, freeloaders, killjoys and even plain stupid (yes, you should not be forwarding those) are just a way to reassure men of their superior place in society. When men who claim to stand for gender parity share these jokes, I ask if they could find ways to end situations that generate these stereotypes. Would they simply let their wives/girlfriends/sister/daughter work or study out of town, let her have normal relationships with other men, let her go out with her friends without judgement. This is usually met with cynicism, silence or worse, total hatred and counter-aggression. Ironically the safety argument is regularly deployed to keep women boxed in. Dress codes for girls not boys, restrictive hostel timings, victim shaming, all of this has to do with the core insecurity that men have about women becoming their equals. Well, here’s news for you, we already are and if you let us partner with you, we could together make this world a much better place!

We must remind ourselves, though that while the increasing assertion of women sharpens this form of misogyny, such attitudes towards women are deeply embedded in patriarchal societies like ours, which see women as vaginas and wombs whose primary purpose is to bear and raise children. Therefore women are not seen as natural participants in the public sphere, as working professionals, as politicians and activists; only care-giving roles outside of the home (teacher, doctor, anganwadi worker) are easily accepted. This form of misogyny exerts itself through the control of women’s bodies: where they go, what they do, who do they interact with. Male control of movement and reproductive functions are paramount. Hence, the lost honor of rape victims is usually the focus of discussion, deterring reporting even by parents and kin, rather than the need to counsel and support her to lead a normal life in the future. Neither are men committing sexual crimes counseled to rethink deeply misogynistic notions as well as the embedded ideas of masculinity that lead to normalization of misogynistic behaviour.

The third kind of misogyny is simply heartbreaking. This is not a misogyny of neglect and disregard stemming from a conviction that women simply don’t matter. Rising female foeticides and male preference, especially in places with rising prosperity testify to this, leading to the theses of the ‘missing’ or ‘unwanted’ girl children. In the now infamous Kathua rape case, an 8-yr old girl was used as pawn in a rivalry between communities, because as a girl she was considered unimportant, dispensable.

What strikes fear into my heart is this. Back in the pre-Internet era, we could conveniently segregate people into opposing categories, like traditional vs modern, ignorant vs informed, uneducated vs educated; but now, the Internet is an indiscriminate medium to spread ideas. Like Incel in North America, misogyny in India is also spreading online and we seem powerless to stop it. Online rape threats and abusive language against female online profiles are the order of the day. My petition against online sexual abuse has over 14,000 signatures, with many sharing their personal stories of abuse, shame, anger, fear and helplessness.

I used to imagine these men, and some women too, lead some sort of schizophrenic lives. That many of them have seemingly normal relationships and then transform into Hyde-like vile virtual creatures. But the Toronto story reminded me that I might be wrong. Many folks do not lead what we consider ‘normal’ lives. Millions of men across India are experiencing sexual frustration, incompatibility in their relationships, family conflict. Many are possibly members of social groupings that celebrate aggressive misogynistic masculinity. Many see misogyny enacted daily and as Madhumita Pandey’s study of convicted rapists shows, may have no idea of the wrong attached to their actions. Add to that alcoholism and substance abuse, mental illness……and the simple fact that everyone is talking and no one is listening anymore!!

So where do we begin to change this narrative? Now that our immediate outrage in India has been quelled  by an ill-advised ordinance to send rapists of minors to death row, we must talk about more long-term solutions. There is no getting around it. We need to start these difficult conversations in our homes, schools, offices. We need to stand up against misogyny, online and in person, and practice the equality we seek. Recently, I visited an exhibition in my children’s’ school where a group of 11-yr olds enacted a startlingly mature skit on gender equality. The tiny details in the skit – the husband reading the newspaper while the wife sat next to him waiting her turn, the girl child sweeping the floor before she and her brother slept every night – touched me. The message they left with us was powerful. Girls are making choices and achieving success despite facing several odds. What if those odds are removed? What an amazing world ours would be!

Diversity in Guangzhou’s ‘Little Africa’: Observations about a place of affordability & entrepreneurship

The PhD “flex” room in the Institute of Housing Studies, Erasmus University in Rotterdam is as good a place as any to reflect on the Xiaobei, or Little Africa, a settlement in Guangzhou we visited last month. Why? Because many of the students at IHS, in the Masters and PhD programs, are from African countries and the question of China in Africa is foremost on their minds. While here, I heard Rachel Keeton, PhD candidate at TU Delft, speak about her research on the planning of New Towns in Africa. In her narrative, the Chinese footprint on the creation of new urban spaces in Africa is formidable. Next to me, a PhD colleague worries about the influence of China on the planning and governance of transit systems in cities like Lagos and Addis Ababa.

In Guangzhou, the capital of the Guangdong province in China’s Pearl River Delta (PRD), we saw the other side. African entrepreneurs have been coming to China for decades, trading, running small businesses, moving back and forth between Africa, Europe and China in what Gordon Mathews and his co-authors have called “low-end globalization” in their book The World in Guangzhou. The epicentre of their activities is the PRD, which has been a trading hotspot for thousands of years and has arguably the most open outlook in all of China. The Dengfeng/Xiaobei locality in Guangzhou, I had heard from colleagues and friends, was the place to experience this phenomenon and so we decided to spend an afternoon exploring its alleys and streets.

The African presence in the neighbourhood is unmistakable with traders from Nigeria, Mali, Congo, Guinea, Senegal, and Angola living here. Yet we noticed that many of the shops on the mainstreet were owned and operated by those with Chinese ethnicity. A number of the shops at the edge of settlement were selling readymade garments and cheap electronics, perhaps the sort of counterfeit or low-cost items that the Africans have been known to trade in. However, as we ventured further inside, the majority of the stores seemed to cater to the daily needs of this bustling neighborhood. We saw grocery stores, outlets for fresh fruits and vegetables, chemist shops, restaurants and food outlets, hair dressers, and tailoring shops. The area had an international feel to it. I could see Turkish bakeries, French baguettes and Asian spices in grocery stores, and African and Indian clothes in the garment stores. The large number of food outlets with halal signs and Arabic signage indicated a sizeable Islamic population and indeed, Dengfeng is just as Middle Eastern today as it is African, with residents from Turkey, Egypt, Yemen and even Iran. In fact, we learned that many Chinese Muslim families also chose to live here.

This slideshow requires JavaScript.

This slideshow requires JavaScript.

Among the Africans, we could see many single men and some couples, even a few families with young children. I understand that most of the Africans come on short-term visas and do not stay for very long; yet there are many instances of African and Chinese inter-marriages. I’m not certain about the citizenship of those Africans who marry Chinese women and seek to integrate, but the struggle of Chinese society to accept children of mixed parentage, particularly African-Chinese kids in Guangzhou, has been a subject of some discussion in the media. Overstaying visas used to be rather common, but I believe a crackdown since 2012 has scared away the more transient traders and those who remain definitely face discrimination.

Overall, the African presence was not as dominant as I had expected.  Rather, we found a thriving multi-ethnic entrepreneurial space with plenty of affordable rental housing. In fact, the Chinese researcher who guided us through pointed out two buildings where he had rented before, as a student. To me, the visit raised questions about the particular characteristics of places that permit, indeed invite, diversity. Places that are “arrival cities“, as Saunders puts it in his eponymous book, for immigrants from across and within national boundaries. What are the processes, ranging from the use of social networks to the negotiation of rent agreements, that make these places what they are? As article after article, including this one, offer visually and anecdotally rich material as evidence that diversity is indeed something to celebrate and praise, I suspect more detailed investigations of the processes that create diversity might offer a more balanced and perhaps less flattering perspective.

References:

  1. https://africansinchina.net/: Robert Castillo’s blog has a veritable treasure of facts and observations about the community. He is a lecturer at the Hong Kong University’s African Studies Programme
  2. http://permanentwalkabout.com/blog/2016/7/5/little-xiaobei-chinas-africa-town
  3. https://qz.com/1081203/china-in-africa-guangzhou-is-a-global-city-for-african-entrepreneurs/
  4. https://www.thenational.ae/world/asia/young-arabs-get-down-to-business-in-china-1.404155

 

 

 

 

 

 

Hi-tech Dutch ID cards helped Nazis identify, exterminate Jews: What does that teach us about the ethics of technology & the choices we are making today?

I can, in part, blame my fascination for The Holocaust on reading too much of Leon Uris in my teen years. This fascination intensified on the trip to Berlin in 2014 and continues to be a theme of my explorations in Europe since. So this past weekend, on a loose limb on a Saturday morning, I decided to explore the Jewish Quarter in Amsterdam.  The motivation was a listing for an exhibition titled Identity Cards and Forgeries: Jacob Lentz and Alice Cohn on the IAmsterdam page. On a recent trip to China, a PhD researcher had presented at a workshop we co-organized her preliminary research on documents and identity that mentioned the use of ID card forgeries to help migrants access services. That discussion played in my head, as much as the recent heated debate in India on privacy and misuse of information collected under the UIDAI project, popularly called the Aadhaar, which the Indian government is aggressively developing in the form of a universal identification system for the country. The Supreme Court of India is currently in the midst of hearing petitions that contend that the Aadhaar identification programme violates an individual’s fundamental right to privacy. A curious me arrived at the National Holocaust Museum and the exhibition did not disappoint!

Set in an oppositional format, the left half of the exhibition space showcased the work of Jacob Lentz who, as the head of the Dutch National Inspectorate of Population Registers, had been at the forefront of designing a highly secure and for the time hi-tech system of ID cards from 1936 onward. While Lentz and some of his colleagues seemed to have designed the system expecting every Dutch citizen carry an ID card, interestingly in March 1940, the Dutch government decided not to implement this system. Their reason? That it was contrary to Dutch tradition.

But of course the highly sophisticated, and virtually non-forgeable, ID card system was ready for the Nazi occupiers to use when the Netherlands fell to German forces post the bombing of Rotterdam in May 1940. The ID card system was brutally used by the Nazis to identify Jews (with a large J on the card itself), in order to initially curtail their civic rights and eventually deport them to concentration camps where they were largely exterminated in gas chambers. Lentz, as one of many bureaucrats who inadvertently aided the Nazi  genocide, is cited as an example of Hannah Arendt’s famous Banality of Evil hypothesis, which  highlights the absolute ordinariness of the human beings who perpetrate acts of evil merely by being complicit. Read in another way, one may say that the compliance of ordinary people under conditions of terror are sufficient to aid evil. Something we in India could keep in mind if we were ever to be on the scene of a horrendous rape, lynching or honour killing, all of which are alas becoming all too common!! I won’t go into the larger implications of the ‘banality of evil’ in the Indian context as manifested by, for example, widespread self-censorship in public life and social media in the face of a vindictive regime served by an army of online trolls. I have written on those issues before.

“The only thing necessary for the triumph of evil is that good men should do nothing.”

~Edmund Burke

On the opposite side of the exhibit, was displayed the work of Alice Cohn, a German-Jewish graphic artist and member of the Dutch resistance who obsessively and often successfully forged these ID cards to help innocents escape. The work of the Resistance is marked by the very opposite of what I have discussed above, the involvement of ordinary people, often from the non-persecuted majority, in a commendable demonstration of altruism usually at considerable risk to themselves (on that note, check out this fantastic NatGeo piece on the psychology of altruism). Those stories reinforce our faith in humankind and at the end of the exhibition, I was left with a positive feeling despite the overwhelmingly “heavy” sense one has in a building that is dedicated to the memory of those persecuted and murdered during the Holocaust.

IMG_7949

Exhibition space

IMG_7951

The ID cards for Jews, marked with the prominent J

IMG_7953

Alice Cohn

IMG_7956

Some of Alice Cohn’s graphics work

Alice Cohn’s story has a specific resonance with the history of the building that houses the Museum. One of her bravest acts was the use of a forged identity for herself to be able to walk into a creche, located next door to the Museum, and rescue the child of a Jewish couple who were her friends. The creche is where the children were kept before deportation, while the parents were crowded into the Hollandse Schouwberg, a theatre building on the other side of the street. The story is that Director of the non-Jewish School that was run in the Museum building, and the woman who ran the creche collaborated to smuggle out over 600 Jewish children to safety, out of the clutches of the Nazis and into foster homes where they grew up safe and sound. I held on to these stories of altruism even as I wept at the small but evocative collection of material artefacts from families who died in the Holocaust.

thumb_IMG_7963_1024

Where the Amsterdam Jews were held before deportation

thumb_IMG_7972_1024

A bit further down the road, the Portuguese Synagogue. The Jewish population in Amsterdam immigrated from Spain and Portugal (the Shephardic Jews.) during the Reformation.

The Dutch Jews were concentrated in Amsterdam, and so this community was hit hardest by the Holocaust.  About 107,000 Dutch Jews were killed in the concentration camps, some 5,200 survived while the Dutch Underground was successful in hiding 25-30,000 Jews and hence saving their lives. Among them were these 600-odd children who were aided by the school. Franz, the volunteer who narrated us the story, told us that though a few of the parents of these children did return from the concentration camps, they were “neither right in the body, nor in the head” and the reunions were almost as difficult as the separation. The impacts of extreme hatred and mass ethnic cleansing are often discussed in terms of death and annihilation. Sadly, in our world today, these words have become normalized. It would do us all well to remember that between living and dying are myriad states of pain and half-baked existence, the personal and social consequences of which are almost as unbearable.

The pall of the Holocaust hangs over Europe decades after. As the extreme conservatives rise over the continent and indeed the world, people worry and fret but alas, also forget. And evil has the chance to be banal again.

My comfort food – filter coffee

A lovely account of my mum’s relationship with coffee. What a powerful thing memory and nostalgia is…. and yes, dawara tumbler sounds lovely 🙂

sitanaiksblog

Everyone has a ‘comfort food’, an item of food that one associates with childhood, home, mother…….and for me for ever so long it used to be ‘curd rice’! How I grew out of that is another story, but for these last many years my ‘comfort food’ has been a drink, the filter coffee. Children were not allowed to drink coffee, but amongst my earliest memories is one of my grandfather, sneaking me a sip from his ‘tumbler’! Of course, no chinaware entered our Brahmin house then. It was a time,  long before plastic had entered our lives in any manner or form.

Coffee was a ritual and was  made only in the morning and at tiffin time, which was the late afternoon. The first thing that was done in the morning was to light the wood fire and put water to boil. My mother would have already had her bath…

View original post 1,223 more words

Do large-scale cultural events help neighborhoods? Reflections on the #UABB in Nantou, Shenzhen

We visited Nantou on the last leg of our 2016 week-long field trip to Shenzhen on a hot, humid day. In contrast to the pulsating lanes of Baishouzhou and its unapologetic messiness, where we had spent relatively more time, Nantou appeared quaint and well suited to touristic exploration.  After all, the settlement had once been a walled city of considerable political importance, and the remnants of that history were strewn across the village in the form of arched gateways, temples and sacred niches. My most vivid memory is that of an active main street full of the myriad tastes of China punctuated by a select number of restored (or being restored) buildings. This, in stark contrast to Hubei, a true blue urban village dating back to the 15th century that faces redevelopment.

This year, Nantou was the venue of the UABB, the bi-city biennale of Urbanism/Architecture that brings together artwork related to the urban experiences of Hong Kong and Shenzhen. Walking towards the South Gate of Nantou, we recognized familiar landmarks – the ancestor hall, the ornate gate itself, the garden and its sculptures. And further in, the smaller gate that enters the settlement itself.

This slideshow requires JavaScript.

This slideshow requires JavaScript.

IMG_7082

The impressive gate and ancestor hall in Nantou remains unchanged. The white blank wall with the UABB signage on it hides a politically contentious painting that caused a furor during the event’s opening. The controversy led to the review and censoring of many artworks, raising queries about the UABB as a space for dialogue, creativity and expression.

Once we stepped inside, we realized how transformed the space was from what it used to be. The street before us, full of vendors and teeming with life, was now a subdued cleaned-up version of itself. New open spaces had been carved out and designed with great taste, but ‘no climbing’, ‘no touching’ signs all over the street furniture in these made us wonder what the village residents were thinking about the redesign interventions. At the very least, these spaces were being used in many ways and by different kinds of people. Newspapers were being read here, mothers and children were catching the winter sun and old women were resting as well. Further in, we found another lovely large open space – a new basketball court, temporarily in disuse. Presumably it will be resurrected and used as it should once the UABB is over.

This slideshow requires JavaScript.

Shaun Teo, whose PhD research is looking at the UABB’s transformative impacts, pointed out many more interventions in a very interesting tour he conducted that afternoon. He showed us some of the redesigned shops in the village, which looked beautiful but to my eyes were a clear push towards gentrification. Shaun showed us two interventions that emerged from a competition: 1- An attempt at entrepreneurship by a migrant renter who was running a cafe at the UABB in partnership with one of the organizers, and 2- A young urban designer’s redesign of a ground floor shop into the Nantou Living Room, his living space that doubles up into a space for village residents to meet and interact. Already, fresh interventions are spinning off of these. The entrepreneur is gathering capital to set up shop on a more permanent basis and the urban designer is taking baby steps forward with the landscaping of a “secret garden” tucked away behind his alley.

This slideshow requires JavaScript.

What does an event like the UABB signify to the residents of a neighborhood like Nantou? It is obvious that many have been displaced to make the event possible. Vendors, for sure, have been asked to leave and even some factories in order to get clear floor space for the exhibition halls. Most likely, the UABB has sped up the process of gentrification and the pricing out of current renters, in a location where rents are already quite high. This might mean higher densities and I’m unsure how Shenzhen authorities will balance the heritage value of Nantou will the unfolding densification processes.

On the positive side, the redesigned public spaces and wall art have added value too. From what I heard, the design of the venue was not exactly a consultative process, nor have the venues of previous editions of the UABB retained their look and feel after the event. Perhaps Nantou will reclaim its spaces back and make of them what they want to. Given that Shenzhen is currently working on the redevelopment of urban villages, a gentrified Nantou with a smattering of resident-friendly spaces and interventions is perhaps a best case scenario!

The joke is always on women, but why are we laughing?

Last week, I (among others) took offence to a recent outdoor hoarding. I was shocked by its casual sexism and peeved about the use of cheap publicity to get eyeballs. A half-baked apology only added insult to injury. But it is hard to hold on to outrage—especially when we all seem to be outrage-ing so much about so many things nowadays—and by Monday I was much calmer.

But I couldn’t get the episode out of my mind. I found myself wondering about the diversity of reactions to the ad itself, which used abbreviations for common Hindi abuses that depict incest. I also kept thinking about how some folks on social media who found the ad funny, not offensive—and I’ll be the first to say that they are entitled to their opinion—also expressed their distress about the rape of a 4-year old girl, which was reported in the media around the same time. It is hard for me to wrap my head around this dichotomy and yet, it aptly demonstrates the extent to which sexual violence against women has got normalised in our society. It takes the rape of a child to upset us, but mothers and sisters being raped is now par for the course!

I find it fascinating that, for the majority, there is no relevant link between sexist advertising (and jokes) and the dismal record of Indian cities on women’s safety. Recently released data from NCRB shows that reported rape cases increased by 12.4% between 2015 and 2016. While crime data on domestic violence, sexual assault, abduction and rape is collected by the National Crime Records Bureau (NCRB), many others forms of violence that women experience on a daily basis remain poorly documented. We know from media reports as well as many micro studies these too are widespread and on the rise. The statistics on child abuse, unfortunately, are worse. Across the country young children, mostly girls, are being sexually assaulted, often times by teachers, family members, neighbours and caregivers, people whom they implicitly trust. The NCRB reports a dramatic 13.6% increase in crime against children over the last three years, with about 35% of the cases registered under POCSO, or the Protection of Children from Sexual Offences Act 2012.

These numbers, shocking as they are, no longer make an impression on us because we seem to have accepted that this is how Indian society is. Our reactions to the news items about raped children comprise expressing anguish, tightening security around our families and securing good marriages for our daughters, thus passing on the responsibility of their safety to someone else. Or, for the elite, sending our children abroad.

Unlike in other issues like terrorism or national security, we find it hard to pin point the enemy in the case of gender-based violence and so we blame the ‘other’, usually folks from another class and/or religion. Helpless and frustrated, we take solace in our WhatsApp groups, our laughter clubs, our kitty circles, our YouTube stand-up comedies, our Friday beers and we enjoy a few ‘husband-wife’ or ‘blonde’ jokes. The next morning, we read about another rape story and hurriedly turn to the sports page, where BCCI slamming pollution-troubled Sri Lankan cricketers makes for an entertaining read.

Centre Pompidou: Sensory overload!

Despite a longish four weeks in Paris, its hard to shed the feeling of being a tourist. For there is truly so much to do in this city and so little time to do it in if you put in regular work hours. So I woke up on Saturday morning with determination. And my destination was the Centre Pompidou, which celebrates its 40th year in 2017.

Armed with a online ticket, I set off on a meandering path, certain that I had plenty of time. I got in a couple of quick sketches and a detour through Saint Chapelle and the Conciergerie, which are within a massive Gothic complex that once was a palace but is now the Palace of Justice, housing judiciary functions. I even grabbed a delightful lunch, sitting solo on the sidewalk, enjoying the rare autumnal sun.

This slideshow requires JavaScript.

The online ticket was to be on no use whatsoever, but the long wait in the line that snaked across the massive square in front of Centre Pompidou offered me a chance to take in the mind boggling structure before me. All steel tubes and pipes, it is a geometrical and structural orgasm created by Renzo Piano, Richard Rogers and Gianfranco Franchini in the spirit of an “evolving spatial diagram”. The project was part of a larger renewal plan for the area which included the controversial relocation of the giant meat market that was inside Les Halles, which now houses a transport interchange and shopping centre. This facility was to house a museum and a public library that extended the dream of Andre Malraux (author and France’s first Minister of Culture Affairs) to decentralize art and culture. I can imagine the design being met with utter horror by the conservative Parisians, because it sticks out like a sore thumb like a disruption, offering no continuity whatsoever with the surrounding urban form nor showing the remotest respect to the heritage around. Instead it soars up, in white, blue, red and yellow, unapologetic and grand. I was to realize its true impact only a day later when I traveled to Belleville in the northwestern part of the city and saw it glisten from the top of Boulevard de Menilmontant! I read later that the architects saw their chance to bring in new ideas to capture the mood of Paris post the massive political unrest in 1968 that nearly destabilized the country. For them, the bold design signified a changed thinking.

[Click here for some delightful pics and thoughts shared by the architects on the Centre’s 40th anniversary]

IMG_3957IMG_3946IMG_4705IMG_4704IMG_4527IMG_4534IMG_4703IMG_4702IMG_4701

Once inside, I felt like a child in a candy store! My first stop was the massive and impressive retrospective of David Hockney. The British artist is 80 this year and the show had works on display since he was about 17 years old. The span of styles and the bold statement his art is left me overwhelmed. I was in that strange state of feeling filled to the brim and drained out at the same time! And this is when the gorgeous views offered by the building rescued me. I wandered the terraces for a while taking in the city sprawling below me, recognizing the monuments on the skyline and appreciating the strange zig zag roofs of Paris.

And then, I delved into the museum’s permanent collection of modern art. I had already soaked myself into the works of the avant garde artists at the Musee d’Orsay in my first week here and later at the Musee l’Orangerie. Now I felt like I was taking that journey forward, moving through the Dada, Cubist, Fauvist, Expressionist, Surrealist, de Stijl and ‘Return to Order’ phases of modern art. An impressive collection, the vast and modern spaces of the museum have much to add to the experience, and its frequent terraces offered timely relief. Unlike the other museums, there was something informal and easy going about the Centre Pompidou. Even the staff was not in uniform and sat around casually, unlike the alert and stern security that is standard at museums across the world.

Walking away from the museum, I just did not feel like heading home. There was too much inside my head, swirling shapes and blocks of colour, too much energy! So I wandered through the lanes in the Marais and treated myself to a glass of Chardonnay, as is fitting at the end of a glorious museum-filled day in Paris.

All content and photographs © Mukta Naik

A ‘brutalist’ China Town and the Parisian ‘bo bun’

It was while sauntering through the delightful Chateau Fontainebleu during our Parisian stint this summer that I first made the connection between the 13th arrondissement and industry. Le Gobelins, a stop on the metro line (7) we often took into town from our suburban abode in summer, was where the French aristocracy got its tapestries from. Up until the ’60s, from what I understand, this area of Paris that lies south of the Seine was a marshy mish mash of industrial workshops and village like neighbourhoods interspersed with patches of gardens and farms. Inspired by Corbusier’s ideas of city planning, a massive urban project called Italie 13 was planned here in the ’60s for the urban professional classes, dominated by high rise towers and large interconnected public spaces on the ground level.

I had the chance to visit Les Olympiades, one of the prominent high-rise complexes built in the late ’60s and early ’70s, with a colleague recently. We were out to get some lunch and he kindly decided to show me around the China Town nearby. Which, against my expectations, was amid this giant brutalist complex of monotonous and monumental high rises! The tall towers of Les Olympiades, which I hear are now rapidly gentrifying, frame a large plaza with a market and access to multi level shopping centres. The design of the Pagode shopping plaza, with its pagoda style roofs, turned out to be prophetic because this neighbourhood saw the arrival of ethnic Chinese immigrants from Vietnam, Camobodia and Laos in the late ’70s, most of them escaping the Vietnam War.

IMG_4400IMG_4409IMG_4408IMG_4407IMG_4401IMG_4396Though architecturally this area hardly looks like the ‘China Town’ one expects, many of the businesses here are Chinese owned. A south-east Asian style set of vendors selling greens on the streets and a number of food stalls selling Vietnamese food were the most obvious signs here. Sitting on the sidewalk, we enjoyed a quick meal of ‘bo bun’, a dish of rice vermicelli with grilled meat, raw vegetables and tangy sauce that has become my favourite food in Paris. This one in ‘China Town’ was way better than the bo bun I have had around the university I work at, which is only a few blocks away within the same arrondissement, part of a later and arguable more successful redevelopment project called the Rive Gauche.

One of the nicest things about being interested in urbanism is that there is pleasure to be derived from the simplest things in a city like Paris. Walks, commutes, lunches and visits to friends are all part of a giant educational and sight seeing experience. And this is how the pursuit of a good bo bun taught me quite a bit about a chunk of Paris’ urban and immigration history.

All content and photographs © Mukta Naik

A Parisian party and the realization that my smartphone need not be my security blanket anymore!

Earlier this week, I had the marvelous opportunity to be part of a Parisian soiree. The occasion was a housewarming celebration of a senior researcher in the lab I am visiting. The house in question was a beautiful apartment in a 19th century building adjacent to Gare du Nord. The neighbourhood was fiesty. Crossing the road outside the station, my eyes swept past a dosa joint and a sex toy shop among the usual cafes and tabac stores.

We punched the code and entered a hallway with the most gorgeous mosaic tile floor. A service elevator, perhaps no longer functional, marked the days gone by when servants had separate entrances. Carpeted and curved stairs led to level 1, while a square stairwell with wrought iron rails led the way further up. The red carpet, slightly frayed, was placed as a runner at the centre of the stairs and a wrought iron gas lamp, no longer functional, hung all the way from the ceiling far high up till where we stood waiting to alight.

We did not need to find the house. The voices and music wafted down to us. Pushing open the door, we walked into the lobby, where now stood a modern kitchen. The proud owner explained to me that in the original apartments, the kitchen was located at the back of the house, connected to the chambers through a long corridor and of course with a separate access for the staff. In the modern avatar, those alleyways have not been retained and usually one of the bedrooms is converted into a kitchen. This particular bold placement of the kitchen, right at the entry was refreshing to the owner, who thought it fitting with a modern lifestyle that has “nothing to hide”!

We walked into the main living area of the apartment where the party was on in full swing with much ‘organic’ and ‘natural’ wine flowing and a typical French spread of cheese, cold cuts, bread, dips, grapes and olives. The room was striking, with white walls divided into broad panels and a high ceiling. The street facing side was full of open windows, through which the city’s sounds and smells streamed in. But more striking than the room itself was the fantastic art that it was filled with. Oils, bright and somber, figures, portraits, expressionistic landscapes and number of sculptural pieces too, modern as well as ethnic, from Asia and Africa. I was enchanted. Looking around at the house still being set up, I found more paintings, frames lined up against the wall, waiting to find their spot. Inside, in the study, two fantastic male nudes looked impassively onto the mass of handbags and jackets that guests had dumped there.

Being the only person who couldn’t speak French was an initial advantage. I took many moments to soak in the atmosphere. The Parisian academics had understated style. They were all here directly from work, so nobody was overtly dressed or made up. But there were subtle touches. A statement neckpiece here, a colourful scarf there, a dress instead of the usual pants. Conversation flowed easily. These were people who had known each other for a while and the comfort was easy to see. It also absorbed me seamlessly.

I must have had long conversations with half a dozen people I hadn’t met before. Some had halting English on them, others were more fluent. Another colleague teasingly chided me for not making some effort with my French! With each of them – historians, geographers, anthropologists – I found some common interests, which only goes to show the depth and breadth of their own experiences. This was an educational experience, packaged as a genteel evening of socializing. The conversations indicated how India, is history and present, has a nuanced place in the world. I felt a bit sad about the reductive understanding of India that is being bandied about in everyday life and politics today.

At some point in the evening, I got an education on organic wine, its making and its distinct flavours, particularly the nuance that comes from its inherent instability. I found that fascinating and I’ve been thinking about this since then. The notion that food must conform to some set standard, rather than its natural range, is something we have all adopted without really thinking about the implications it has for our environment band our lives. I thought about the experiments with growing organic food that some of my friends have been engaged with back home and how much of a movement organic and local food is here in France.

At some point in the evening, a large group had seated itself on the rug around the centre table. The rest of us continued to hover around the dining table. The seated group reminded me of parties back home with close friends and family. The lack of formality, the deep and engaged conversations, the congeniality, made me immensely happy to be there. I felt strangely at home. The only thing missing was singing!

It was late and people began to leave. Goodbye pecks and thank you’s filled the room. Through the evening, I observed, not one person had checked their mobile phones. No pictures were posed for and no selfies were clicked. I think perhaps the host had taken a few generic ones. No one went back to their social media feeds even. Phones remained firmly inside those bags, in the other room. Mine too! And this, perhaps, was my biggest takeaway that evening. The realization that I, like many of us back home, use my phone like a security blanket. To combat any unexpectedness and awkwardness, and to draw a cocoon around me even as I remain present in society. It doesn’t need to be this way. Part of the reason I could have those meaningful conversations with people I had not met before was the absence of the phone and the presence of participants in the here and now, without distractions. I’m holding onto that lesson with new resolve!

%d bloggers like this: