What do doodles tell you? #ShenzhenDiaries

Looking through my notes as I write about Shenzhen (I learnt to pronounce it correctly around Day 2 of our trip- it’s Shun-jun for your information), I try to reconstruct the thoughts behind some of these doodles in my notebook. Order, structure, urban forms, technology, the incorporation of nature into cities, human adaptation are some themes I see.

Doodling has been a habit for as long as I remember, predating my training as an architect, usually geometric forms. The doodles usually emerge out of the subconscious, barring the odd sketch of a scene here and there, and its hard to see patterns at times though I keep trying. I’d love to hear about how other people interpret their own doodling. Do share!


  
  

Shenzhen Diaries: In anticipation

I first heard of a possible trip to Shenzhen in mid-March from Partha (we work together at the Centre for Policy Research) during a taxi ride from Delhi to Gurgaon. The name Shenzhen triggered memories of conversations we had about the buzzing Chinese city across the water from Hong Kong back in the early 2000s when Amma and Papa (my in-laws) lived in Macau. Those were the years shortly after Hong Kong (in 1997) and Macau (in 1999) were handed over to China and much was changing in the Pearl River Delta. Papa was flying helicopters for a private airline at the time; and in addition to his usual stories of the rich folks he ferried between Hong Kong and Macau on the famed casino circuit, he was talking about the rich business investors he was flying to Shenzhen and Zuhai, both among 5 Special Economic Zones set up by China along the Eastern seaboard in 1980 as key elements of economic reform. On my trip to visit them in 2000, a year before my wedding, they even took me on a day trip to see the wonders of Zuhai’s swank streets, tall glass buildings and sparkling amusement parks. I wondered if I should expect Shenzhen to be something similar. Over the next few days, however, Shenzhen slipped my mind and I got busy with other things.

Then, in the last days of April Mary Anne and Fu Na arrived in Delhi from Shezhen, full of immense curiosity and enthusiasm, surprisingly unaffected by the oppressive heat of the Delhi summer. Over the intense conversations we had while showing them around the urban villages and slums of Delhi and Gurgaon, I began to piece together a different picture of Shenzhen. Of spaces similar to the ones we work in here in Delhi where migrants and long-time residents squeeze together, feeding off the glitzy growing city and yet, strangely distanced from it. Of a city of hope and entrepreneurship but also struggle and despair.

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Our plans to visit Shenzhen began to crystallize over the month of May and I crammed as much reading about the city and its environs as I could. The picture became fuzzier with every paper I read. Facts and figures, strains of urban history and theory mingled together, shapeless and drifting. I stored as much as I could in a mental shelf labelled “Shenzhen, China”.

We landed in Hong Kong airport in late May and the mountains rising out the water greeted me like familiar friends. On the ferry across to Shenzhen, I finally allowed myself to give in to the excitement of anticipation coming to an end, of the relief of seeing and feeling a city that I’ve tried in vain to conjure out of mere words. Join me on my journey as I attempt to synthesize and interpret what we saw over an intense week of exploration in Shenzhen. Presenting, the Shenzhen Diaries.

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Last weekend in Kochi, a memorable slice of time

To me, travel is therapeutic at many levels. Whether I travel for work or leisure, or even to meet family obligations, I revel in the sensory overload that travel brings. Earlier this month, I was in Kochi to serve as external jury member for 3rd year architectural students at a relatively new private college. While that was an interesting experience in itself, the highlight of the trip was spending time with one of my closest friends and her family.

College buddies, especially if you’ve shared hostel rooms, clothes, intimate secrets and much more, have an understanding of each other that is rare and precious. Both of us found we had saved conversations up in our heads for years and years for the time we would meet and have a chance to have a leisurely conversation. So that was super fun. Just as much fun was interacting with her kids; who felt familiar after only two days of time together.

The ease of being with people who feel like family seeped into the one day we had free. We visited the touristy part of town, Fort Kochi, but we hardly had tourism on our minds. Instead, we wandered through artist Paris Mohan Kumar’s art exhibition at the iconic David Hall, a restored art gallery and cafe that was once a Dutch bungalow. The paintings, which were largely monochrome revolved around the themes of nature and human relationships with an emphasis on the female form, were fascinating in their ability to be complex and simple at the same time.

We then hung out in the cafe part of the building for a while, cooling down drinking mint iced tea and gazing onto the patch of Kerala green and the pristine white stone wall, solid like they built them in the 16th century. Talking, laughing, thinking. And having some unexpected deep conversations.

Soon enough, phone calls came in, errands were run and appointments were rushed towards. The afternoon went by in a tizzy of sushi tasting, professional commitments, shopping and driving around a city temporarily scarred by the construction of the Metro line.

A week later, I’m still carrying that slice of time at David Hall with me. Memories are not necessarily made of a famous piece of architecture, high culture or amusement parks. Nor of expensive meals, cruises and moonlit walks. They are equally made of ordinariness, of words exchanged with an 11-year old child wise far beyond her years, of time spent with someone who understands you better than yourself. Of laughing over spilt cold coffee and of counting ants climbing up a tree. And in the day of smart phone, of taking a goofy selfie.

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Let’s improve museums, but also create shared spaces to experience culture, explore identity

I started bemoaning the condition of Indian museums very early in life. I may have been eight or nine when I found myself peering through a stained glass at an exquisite Ming vase at Hyderabad’s Salarjung Museum. I remember being horrified and declaring an immediate ambition to become a ‘museumologist’, a term I was offered in an attempt by my bemused parents to add some vocabulary to what was clearly an emotional moment! Of course, my attitude of despair must have its roots in what I sensed around me, chiefly mum’s constant critique of how poorly Indians appreciated their own cultural heritage.

Today, as a mother of two eternally curious children, I am a vehement museum goer. No matter how dowdy or dusty, we go to as many as we can, as often as is possible. Not only to museums where collections are formally housed but also to archaeological sites that I see as museums of a different kind. Sometimes there is some interpretation offered, other times we have to do our own reading and research, but it is always interesting. And yes, with children now better traveled and exposed to international standards of preservation and interpretation, the questions on the quality of Indian museums are sharper.

Interestingly, they come with less angst. I don’t think my kids see life from the lens of Indian nationalism nor do they have that same view of India as an under-resourced nation fighting for its place among the cultures of the world. Instead, they seem to take things for what they are. ‘They could be better, but if it isn’t here, we shall see something else somewhere else!’- that’s what their attitude seems to suggest. Simply put, being Indian does not seem to be the focal point of their identity. Being city-bred, educated, English-speaking, internet-savvy, politically aware- these attributes seem more pronounced, and so they fit in easily with children of friends from other nations and contexts who are from similar backgrounds.

A few of my SPA students have taken up museums an other sites of heritage interpretation as their final design thesis projects. We have had intense discussions; for instance- Whose heritage are we choosing to interpret? Are we commodifying heritage? Is commodification ok if we also benefit communities? And then deeper issues about the self-perception of communities about what is their cultural heritage. All of these discussions highlight the vast differences in how people, across cultures and generations, perceive their identities and how sensitivity to a wide range of identities is crucial to nearly everything we do as interventionists- whether as architects, engineers, social workers, policy makers, lawyers and what have you.

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Refurbishing and adapting iconic architecture to new uses is imperative. Demolishing important markers of history is tantamount to erasing a section of our collective historical identity. Raj Rewal designed the Hall of Nations in 1972

To come back to museums and specially the debate after the pathetic and tragic case of Delhi’s Natural History Museum, clearly much needs to change in how we manage our museums. Whether the fix is in devolving management or in bringing them all under a single umbrella, the fact is that museums and all sites of heritage interpretation must be given the utmost importance in our public culture. I’d vote for bringing a larger number of sites into public use for a variety of uses, of course with attention to safety and long-term preservation. The Purana Qila hosts a dance festival in Delhi, as do the Khajuraho and Konark Temples. The Lodi Gardens is a fantastic urban space where families picnic, couples embrace, theatre groups rehearse and fitness enthusiasts work out and the Nehru Park is known for music performances and food festivals, where kids in keds holding badminton rackets will sometimes tumble into a Bhakti music concert! Many other spaces that are now being considered obsolete, like Rewal’s Hall of Nations in Delhi, can be refurbished and used practically even as they serve as markers of our modern history. Instead, they are being demolished and petitions to save them seem to be currently unheeded.

 

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On the 1st day of May this year, this past weekend, The Max Foundation hosted its fundraising and awareness event ‘Chai for Cancer’ at Lodi Gardens, leveraging the sheer beauty and evocative power of the heritage site for a great cause! Viji Venkatesh, Country Head, The Max Foundation claims patients feel positive vibes here.

There are similar sites across the country that offer a chance at cultural education through osmosis, that offer the freedom of expression and exploration, that are in themselves spaces of interpretation. These must be better integrated with the city fabric through transport, branding and the seeding of activities as and when appropriate. A strategy that works on improving the quality of museums as well as opening up the idea of cultural interpretation through the creative use of heritage-rich public spaces can achieve two important objectives. First, they will open culture out to a much larger number of people and in this, keeping spaces and events free and open to public is key. Second, the new and varied interpretations of culture born out of these new experiences will impact how young people view their identities; indeed, this will generate some much-needed thinking about the question of identity in our society. I can see this ruffling feathers too, but that’s part of the social churn and I believe the more space we give for this churning to happen, the better off we might be!

 

Saving the Aravallis: Documenting Gurgaon’s persistent environmental activism

Much has been said and written about the urbanism of Gurgaon. Amidst uproar and negativity over the general failure of governance, a core group of citizens has been persistently highlighting pressing issues relating to environmental conservation. More specifically, they have brought attention to the urgent need to conserve the sections of the Aravallis that runs through Haryana. To bring these concerns to the State government, citizens walked together a year ago (I blogged about it then), and we did so again today.

What did our movement achieve and what drives us now to continue efforts to engage with the government on issues that have been particularly hard to raise in India at large, but more particularly in a State where mining and real estate interests are politically powerful and directly pitted against us?

This time, last year: A specific call to action to save Mangar Bani

The trigger for the call to action, when we gathered at Kachra Chowk a year ago on 26th April 2015, was the imminent changes in land use regulation that would permit the declassification of forest land and open it to real estate development. A group of focused citizens, some of whom are ecologists, geologists and environmental experts, made convincing arguments that underscore the need to protect the Aravallis to ensure the survival of cities like Gurgaon and Faridabad. These arguments revolve around the basics, like protecting the main water recharge zone for the region, as well as more evolved arguments that call for a different imagination of the city as a place that embraces nature. As a powerful symbol of what nature was capable of, the group decided to focus on the protection of Mangar Bani,  a sacred grove protected by local communities that lies between Gurgaon and Faridabad. I wrote last year about the movement, during which a successful online petition was floated and many citizens, children included, were involved at the time.

These concerted efforts resulted in the Haryana government announcing a protected status for Mangar Bani in early 2016. It is extremely positive that 677 acres of Mangar Bani Sacred Grove has been identified for protection, plus a buffer of between 60m to 500m will be taken up for restoration. This amounts to a buffer area of 1100-1200 acres, which will act as a major watershed for the region as well as restore the already rich biodiversity of the Aravallis. The progressive work on mapping and demarcating these areas has been encouraging, says Chetan Agarwal, who has been deeply involved in the research on Mangar Bani.

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Pushing the envelope for long-term benefits

Today’s walk was intended to demand a follow through of the promises made. The final notification for the Mangar Bani Sacred Grove remains pending and the group is highlighting the urgency of this step. After notification, corresponding changes are required to be notified in records and plans, in order for the protection status to have adequate impact on future development plans for Gurgaon and Faridabad.

And Mangar is only the first step. Much more needs to be done to protect the fragile Aravallis that are facing sever environmental degradation. First, the group urges the State government to notify the Aravallis around Gurgaon as a city forest. The city’s only forested area, the Aravalli Biodiversity Park, has been developed from a brownfield mining site. A collaborative effort of the citizens and municipal government, ABP has become a paradise for citizens to experience open space and nature. But there is considerable opportunity to do much more. By protecting the existing Aravalli areas and developing them as city forests, Gurgaon will join the illustrious list of global cities that recognize and celebrate the health benefits of sensitively integrating forest areas into urban development. The benefits of forests in improving air quality, and long-term benefits of living in proximity to nature are well documented and practised by cities across the world.

Second, the group requests the State government to identify sanctuaries and national parks in Haryana’s Aravallis. Mangar Bani, for example, should be made into a sanctuary. The Aravallis as a whole should be declared a deemed forest and made part of the Natural Conservation Zone (NCZ). There exist today subtle ways to keep large areas of the Aravallis out of the NCZ in a ‘to be determined’ category. This category must be deleted, so that the commitment to conservation is clear and strong. Areas of the Aravalli foothills that have been currently kept out the the NCZ are equally important and must be included. Further, the eco-sensitive zones for the Asola Bhatti sanctuary must stretch to include major lakes – Damdama, Badkhal, Dhauj, and also the mining pits which have exposed groundwater and the buffer for the Asola Bhatti sanctuary on the Haryana side increased. Finally, privatised land in the Aravallis must be restored to panchayat ownership.

These actions will give firm signals against future exploitation of these ecologically sensitive areas for real estate and infrastructure development. Furthermore, these steps appear critical for the survival of these cities, critical as they are to the recharge of groundwater in the region.

Globally, environmental gains for cities have almost entirely resulted from sustained and informed citizen activism. There is no glamour in this sort of activism. It is extremely hard work and I salute all those who are working hard behind the scenes to keep these issues burning and alive in Gurgaon. Walks like today’s gives citizens like me an opportunity to do our little bit. We must hope that every little bit counts.

Of Gurgaon and Gurugram: Nay to shouting matches, yay to meaningful debate

Gurgaon’s renaming has come as a bolt from the blue for most people I know. I’ve been a resident of Gurgaon for over 12 years and many of my friends have lived here longer. It isn’t just shock, it  is also disappointment and anger at the government’s decision to focus on something cosmetic like a name change when so much meaningful action needed to take place. Others worry about the sheer cost incurred in changing an address. Still others are raising the issue of identity and the right of citizens to be consulted before such decisions are taken. But then that’s the thing….. who is considered a citizen worth consulting? how is the consulting done? The Devil is truly in the details. Even as an online petition is floated by a dear friend requesting the CM to hold widespread citizen consultations before the decision goes up the the State Cabinet and the Union Home Ministry (link to petition here, news item about it here), it comes to light that in 2014 a zealous Gurgaon councillor has already done the requisite consultation and got a slew of people to participate in a signature campaign to reclaim the honour of the city and call it Gurugram!

The resolution passed by the municipality in 2014 is the basis for the recent renaming and it is clear from social media feeds that people are divided on the issue. For every person who raises rational arguments related to cost or prioritization, there is someone sold on the idea of reclaiming a glorious past. In all this Veena Oldenburg’s argument about the symbolism of honouring Dronacharya is worth a mention. Dronacharya is infamous for demanding Eklavya’s right thumb as gurudakshina, thus ensuring the socially disadvantaged but talented Eklavya could not rival his royal protege, famous Mahabharata warrior Arjun.

And so, while I am all for taking pride in history, we must think about what that history implies. Whose history is important? What symbols are we glorifying and what do they say about us as a people today? What pains me is that no one is thinking and talking about the issues. There seems to be no space for an open and vibrant debate. Not even on social media, which should enable dialogue instead of becoming the site of abusive shouting matches. Unless we create and nurture spaces of discussion and debate, how do we raise a new generation of creative and enlightened individuals? I wonder….

Homemade snacks: ‘Lahiya’ and ‘kheel’ mixes

In the generally carb-rich Indian diet, namkeen (savoury) mixes occupy a special place. Nearly every part of the country I’ve lived in has its own set of these. In many homes across India, these are homemade at regular intervals and stored in steel dabbas (boxes) to be consumed as snacks at teatime or whenever the hunger pangs get the better of you. In my childhood days in Bombay, for instance, chivda was de rigueur in Maharashtrian homes, a tasty mixture of deep fried flattened rice with coconut slivers and peanuts garnished with curry leaves and red chillies. When we moved to Lucknow, lahiya chana, a quickly rustled up mix of roasted puffed rice and gram was commonly eaten as a healthy snack. Come Diwali and kheel, another type of puffed rice, used for the Lakshmi puja is consumed as freshly roasted mixes for days to come, till stocks last.

In urban Indian households like ours, homemade snacks are fading away and it’s a real pity. There isn’t any time to make them and a variety of snacks, including ‘diet’ items are easily available at the superstore. What’s more, with online ordering, the superstore comes home, so it’s no effort to have a stash of munchies ready at home.

I find that stash does not satisfy me. It’s got too much salt, too much oil and trans fat and I certainly don’t trust the ‘diet’ labels. What’s more, they don’t taste fresh. I find myself craving for the simple namkeens of my childhood. Hence, the Sunday morning frenzy to rustle up these two simple snacks. Neither of these are deep fried, nor are they ‘diet’. They are just normal food, so don’t think too much. Just make them and eat them!

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Above: Lahiya mix; Below: Kheel mix

Recipes

Lahiya mix

Put a tablespoon of cooking oil in a heated kadhai (anything you can roast stuff in will do, wok like!). To the heated oil, add green chillies (slit don the middle), rai or black sesame seeds and curry leaves, heeng (asafoetida), turmeric powder, red chilli powder, dry pudina powder. Wait till the rai splutters. Add puffed rice and roasted peanuts (you will have to dry roast them before) and mix well. I added to this mix some leftover namkeen that had been bought for a party- sev, moong dal and bhuna chanaa, but this is optional and sicne these are deep fried it does add some serious calories! Add salt as desired. Let this cool and store in air tight boxes, preferably the traditional shiny steel ones for the real desi effect:)

Can be stored for a week or two easily.

Kheel mix

To a teaspoon of heated oil, add thinly sliced onion and garlic, turmeric powder, whole red chillies, heeng (asafoetida) and dry pudina powder. Let the onions turn brown. Add the kheel and pre-roasted peanuts and stir for 5 minutes. Add salt as desired.

Best eaten fresh, but can be stored for a few days in an air tight container.

Glimpses from Prayas 2016 #kathak

Adapted from http://rasikperformingarts.com

Coinciding with Republic Day, one of India’s three national holidays and one dedicated to celebrating our democratic Constitution, the talented dancers of Rasik Performing Arts presented its annual show in Epicentre, Gurgaon. For our dancers, Prayas 2016 was a culmination of a year’s learning under the gracious guidance of Guru Jayashree Acharya. I’ve been fortunate to learn from her and be part of this show and earlier ones for the past few years.

The blessed presence of Pandit Birju Mahahrajji at our show filled the atmosphere with a special electric charge. We all felt it and we hope our performances did justice to his great art and all-encompassing love and mentorship. Over 85 young dancers performed under Rasik’s banner during the evening, bringing a variety of items to a packed hall of rasiks and well wishers.

We were also honoured to have guests artists, dancers from Aakriti Foundation trained under Smt Sushmita Ghosh and eminent instrumental musicians Madhu Gopal, Goutam, Sunnu and Shiv Shankar perform at Prayas 2016.

Catch a few glimpses from Prayas 2016 below. We will post videos soon!

Pt. Birju Maharajji inaugurating Prayas 2016 and blessing all of us present Photo credit: Prasad Siddhanti

Pt. Birju Maharajji inaugurating Prayas 2016 and blessing all of us present
Photo credit: Prasad Siddhanthi

Our youngest dancers presenting Guru Vandana Photo credit: Prasad Siddhanthi

Our youngest dancers- Aparna, Bhuvi, Samaira, Shambhavi, Yavi, Meher, Yuvika, Raima, Pari and Panchhi- presenting ‘Guru Vandana’, an invocation to Goddess Saraswati
Photo credit: Prasad Siddhanthi

Photo credit: Prasad Siddhanthi

‘Akaash’ by Mahi, Sneha, Ishita, Vrinda, Krisha, Anvi, Saraa, Suhani, Varaa, Eesha, Samaira, Shriya, Stuti, Manya, Lavanya, Kimaya, Ishita, Navya, Ashi, Adya, and Tishya Photo credit: Prasad Siddhanthi

Prasad-4

Shuddha Nirtya in Jhaptaal by Anuradha, Anya, Arshiya, Arushi, Arzoo, Ashley, Dhrity, Eesha, Joanna, Malvika, Katya, Nandini, Nishtha, Panya, Riya, Sanjana, Nayanika, Sifat, Suhani, and Vidushi                                                                                                                                                            Photo credit: Prasad Siddhanthi

Prasad-5

Sargam in Bilawal by Anya, Ashna, Aditi, Elaina, Anahita, Anushka, Devina, Khushi, Mihika, Mansi, Palak, Simran, Tisha, Vedanshi, and Vritika                                                                             Photo credit: Prasad Siddhanthi

Thumri- 'Dekho ri langar' by Shruti, Saumya, Simran and Mukta Photo credit- Prasad Siddhanthi

Thumri- ‘Dekho ri langar’ by Shruti, Saumya, Simran and Mukta
Photo credit- Prasad Siddhanthi

Guru Jayashree Acharya Photo credit: Prasad Siddhanthi

Guru Jayashree Acharya
Photo credit: Prasad Siddhanthi

Jog tarana, Composed by Prateep Banerjee Anandi, Mahika Nair, Mahika Zutshi, Devyani, Ketaki, Nandini, Revati, Shubhangini, Saloni Photo credit: Prasad Siddhanthi

Jog tarana, Composed by Prateep Banerjee
Anandi, Mahika Nair, Mahika Zutshi, Devyani, Ketaki, Nandini, Revati, Shubhangini, Saloni
Photo credit: Prasad Siddhanthi

Chaturang, including 4 elementsof dance, percussion, sahitya, and gaana Dancers- Anya, Anumita, Anusha, Riya, Nandini, Yukti, Vaidehi, Khushi Photo: Prasad Siddhanthi

Chaturang, including 4 elements of dance, percussion, sahitya, and gaana
Dancers- Anya, Anumita, Anusha, Riya, Nandini, Yukti, Vaidehi, Khushi
Photo: Prasad Siddhanthi

'Madhav'. A Krishna Bhajan by Anandi, Mahika Nair, Mahika Zutshi, Devyani, Ketaki, Nandini, Revati, Shubhangini, Saloni Photo credit- Prasad Siddhanthi

‘Madhav’. A Krishna Bhajan by Anandi, Mahika Nair, Mahika Zutshi, Devyani, Ketaki, Nandini, Revati, Shubhangini, Saloni
Photo credit- Prasad Siddhanthi

The guru shishya parampara has lessons for modern education systems

Several scholars and social commentators are making the link between the rising tide of overt nationalism and a discomfort over the democratic nature of some educational spaces in India today. Janaki Nair, the feminist and historian from JNU, wrote yesterday in The Hindu that:

“The moral panic that has gripped large sections of the Indian public is… related to the fears about the democratising opportunities offered by campuses today. In this expression of outrage, the newly moralising Right ….. aims to replace critical thinking with worship, forms of hard-won equality with structures of deference, and forms of new community-building with a return to the ideal of the patriarchal “family”.”

She goes on to cite an example that is a bit uncomfortable for me. She sees in the Indian Council of Historical Research’s program to institute fellowships that will foster a Guru-Shishya parampara a patriarchal design. She says that shishyas will be tied in “a relationship of obedience and honour, rather than thinking and debating”. She sees this as a problem.

While I buy her point about the important place of critique and question in the process of learning (refer my earlier post on this issue), I’m not sure her understanding of guru shishya parampara is accurate. I’m no authority on the subject, but I’ve been a shishya, first of Hindustani classical music for many years and in recent years of kathak. In these years, I’ve interacted with many gurus and shishyas, heard many stories of how the gurus learnt and experienced first hand the complexity of this relationship and my comments are limited to the learning of the performing arts.

The relationship between the guru and shishya has some prescribed rules. Broadly, the shishya is expected to train rigorously and usually has limited freedom until this period of training is completed. This period may vary. Modern gurus permit their shishyas to perform in public much earlier than what was the norm a generation ago. Once the shishya is past her training period, she is not only free to make her own adaptations and improvisations to her art but is in fact expected to do so, while taking the traditions of her guru and gharana forward. A good guru will appreciate out of the box thinking, though the tolerance to deviating from the gharana’s essential style may vary. In the classical arts, learning is a lifelong process. In the traditional form of the gurukul, theoretical training involved both reading and debates among students and with the guru. The education was not designed to be a one-way dictatorial process and Prof Nair seems to imagine, though the status of the guru was (and is) undoubtedly exalted, with respected to her many years of rigorous sadhna and the exalted knowledge derived from this.

There are many positives to this model in my view – a long period of sustained interaction, an expectation of commitment, peer-to-peer learning and the setting of high standards. I do not believe the guru shishya parampara is in conflict with freedom of expression or dissent; yes, it is a system in which charting your own path comes after years spent learning the basics and that is the nature of the kind of knowledge the system was designed to impart.

In today’s far more transactional education system, with its short-term targets and restricted rather than expansive curriculum, the guru shishya parampara often finds itself out of sync. That I do perceive. I also feel that our dislike of religion-based politics must not blind us to the positive aspects of our traditions. And so, instead of writing it off, we must reflect on how to weave in some of its positives into our discourse on pedagogy and education.

The Maidens Hotel, a sliver of ‘old world’ amidst Delhi’s chaos

A colleague had an amazing idea. To take a bunch of us away from our usual office conference room to an alternate location for a day long brainstorm. A retreat within the city, she called it. In her infinite wisdom, she chose The Maidens Hotel in Civil Lines. And she stuck to her plan despite the flimsy excuses that others offered to escape the imprisonment of a location far from the buzz!

I felt a bit cheated at getting no opportunity to explore this lovely property that was built in 1903 to host guests attending the famous Delhi Durbar. Here are a few hasty shots taken post sunset. I’ll be back for more!

   
    
 

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